Showing posts with label Pi Day. Show all posts
Showing posts with label Pi Day. Show all posts

Monday, March 9, 2015

Pi Day, Cyclical Motion, and a Great Video Explanation of Multiplication


March 14 is Pi Day, the day in the year when we celebrate the world’s most famous mathematical constant.

Back in 1988, on March 14, a physicist called Larry Shaw organized the first Pi Day celebration at the Exploratorium in San Francisco, where he worked. It was meant to be just a one-off, fun event to get kids interested in math. Children were invited in to march around one of the Exploratorium’s circular rooms and end up eating fruit pies. But the idea took off, and ever since, March 14 has been Pi Day. Not just at the Exploratorium, but with celebratory events organized all across the United States, and in other parts of the world.

In case you haven’t twigged it, we celebrate Pi Day on March 14 because, in American date format, that day is 3.14, which is pi to two decimal places.

This year is a particularly special, once-in-a-century Pi Day, since the American format date this year is 3.14.15, pi to four decimal places. If you want more pi-accuracy, drink a toast to pi at time 9:26:53 (AM or PM), to get the first nine places 3.141592653.

That degree of accuracy, by the way, is more than enough for practical purposes. If you use that value to calculate the circumference of the Earth, the answer will be accurate to within 1/4 inch.

Though we have known since the 18th Century that pi is irrational (indeed, transcendental, thereby demonstrating that you cannot square a circle), calculating approximate values of pi has a long history. In ancient times, Babylonians, Egyptians, Greeks, Indians, and Chinese mathematicians calculated the first three or four places, and found fraction approximations like 22/7 and 355/113.

In the 16th century, a German who presumably had a lot of time on his hands spent most of his life computing pi to 36 places, and a 19th century American went all the way to 707 places, but he mad a mistake after 527 places, so the last part of his answer was wrong.

In more recent times, computers have been used to compute pi to well over a trillion places, in part for sport, but also to test the accuracy of high speed supercomputers.

Of course, PI Day isn’t really just about pi, it’s an excuse to celebrate all of mathematics, and in particular stimulate interest in mathematics among children and young adults. You will find Pi Day events in schools and colleges, at science museums, and other venues. Teachers, instructors, and students organize all kinds of math-related events and competitions. The value of pi simply sets the date.

With this year’s special Century edition, some large organizations are putting on celebratory events, among them the Museum of Mathematics in New York City (details of the event here), the Computer History Museum just south of San Francisco (details here), and the NASA Space Center in Houston (see here). And at the big Teaching and Learning Conference in Washington D.C. this week, I’m hosting a Pi Celebration at 8:00AM on Saturday morning.

There are many other celebrations. Check to see what is going on in your area. If there is a large science or technology organization nearby, they may well be putting on a Pi Day event.

The media have been getting in on the act too. NPR will air one of my short Math Guy conversations with Weekend Edition host Scott Simon this Saturday morning, and today’s New York Times ran a substantial article about pi by their regular Numberplay contributor Garry Antonick.

Antonick led off with a short pi-related problem I provided him with, and in honor of the Pi Day of the Century, in place of the traditional photo of me at a blackboard, he picked an action shot of me cresting a mountain on a bicycle (pi motion if ever there were) in a Century (100 mile) ride back in 2013.

He could not resist bringing in the famous Euler Identity, linking the five most significant constants of mathematics, pi, e, i, 0, and 1. This has always been my favorite mathematical identity, and Antonick quotes from a magazine article I wrote about it a few years ago.

But truth be told, it is not my favorite pi fact. For the simple reason, it’s not really about pi, rather it is about multiplication and exponentiation. Pi gets in because both operations involve the number.

My favorite pi fact, ever since I first came across it as a teenager (one of several eye-opening moments that motivated me to become a mathematician), is Leibniz’s series (sometimes called Gregory’s series), which dates from the 17th century. You write down an endless addition sum that starts out 1/1, minus 1/3, plus 1/5, minus 1/7, plus 1/9, etc. All the reciprocals of the odd numbers, with alternating signs.

Since this sum goes on for ever, you can’t actually add it up term by term, but you can use mathematical techniques to determine the answer a different way. And that answer is pi/4.

What does pi have to do with adding the reciprocals of the odd numbers? As with Euler’s Identity, Leibniz’s series provides a glimpse of the deep structure of numbers and arithmetic that lies just beneath the surface.

Talking of which, I caused a huge stir a few years ago when I ran a series of Devlin’s Angle posts trying to rid people (in particular, math teachers) of their false (and educationally dangerous) belief that multiplication is repeated addition (and exponentiation is repeated multiplication).

The initial series ran in June, July-August, and September 2008. When the barrage of facts I referenced in the third of those posts failed to stem the flood of disbelieving reactions of readers, I ran a lengthy post in January 2011 trying to convey the truly deep (and powerful) structure of multiplication.

Still to little avail. Put repeated addition in the same bin as evolution by natural selection, climate change, and the Golden Ratio. For many people, no amount of facts can overturn a long held and cherished belief. It’s a common human trait – fortunately not a universal one, else we’d still be living in caves and mud huts. (A politician who says “I am not a scientist” is effectively saying “I don’t understand the difference between building my mansion and a mud hut.”)

Unfortunately, as a wordsmith, I did not, and do not, possess the skill to provide a really good explanation of multiplication. I had to resort to spinning a multi-faceted story based on scaling. Someone who does have what it takes to tell the story properly, using video, is Stanford mathematics and computer science senior undergraduate Grant Sanderson. His recent video on Euler’s Identity is the best explanation of addition and multiplication I have ever seen. Period. Antonick embeds it in his New York Times piece. It deserves widespread circulation.

The video actually goes on to discuss the exponential function, and then the Euler Identity, but I suspect many viewers will get lost at that point. The exponential function is pretty sophisticated. Much more so than addition and multiplication. In contrast, all it takes to understand those two staples of modern numerical life is to get beyond the ultimately misleading concepts many of us form in the first few years of our lives. Do that, and Sanderson’s video provides the rest.

As is so often said, a picture can be worth a thousand words. Sanderson demonstrates that a motion picture can be worth a hundred thousand.

NOTE: I did try song a few years ago, collaborating with a Santa Cruz choral group called Zambra. The result can be found here. There’s lots of pi stuff in those compositions. But it’s primarily musical interpretation of mathematics, not explanation. (For instance, check out our rendering of Leibniz’s series.)

Finally, I often get asked why we use the Greek letter pi to denote the ratio of the circumference of a circle to its perimeter of a circle to its diameter.. This convention goes back to the 18th Century.

Monday, April 2, 2012

When math and art meet

In 1991, two mathematicians proved that you cannot always hear the shape of a drum. There are different shaped drums that make the same sound.

What about hearing numbers? For instance, can you hear pi? The answer is yes, you can. In fact you can listen to two renderings, though it took a recent court ruling to make this possible.

The story begins on Pi Day (March 14, or 3.14) 2011, when New Scientist posted a video by a musician called Michael John Blake, in which he played a piano rendering of the first 31 decimal places of pi, played at a tempo of 157 beats per minute (314 divided by two).

The video immediately went viral, but a few hours later, YouTube was contacted by a lawyer representing jazz musician Lars Erickson, who claimed that Blake's work sounded very similar to his 1992 composition "Pi Symphony", which he had registered with the US copyright office. With a claim of copyright infringement, YouTube removed the video. But Blake decided to lodge an appeal.

Both musicians had produced their works by converting decimal digits to notes on the musical scale and then adjusted tempo, phrasing, and harmonies to give the resulting composition recognizable musicality. The basis for Blake’s appeal was whether it was legally possible to copyright such a representation of pi. This is clearly an interesting question, since books and articles talking about pi and visual art based on pi clearly are copyrightable. Indeed, this very blog post  automatically carries copyright.

One year later, on March 14 of this year, US district court judge Michael H. Simon, deliberately choosing to announce his decision on Pi Day, dismissed Erickson’s claim of copyright infringement. "Pi is a non-copyrightable fact, and the transcription of pi to music is a non-copyrightable idea," Simon wrote in his legal opinion. “The resulting pattern of notes is an expression that merges with the non-copyrightable idea of putting pi to music.” (Ideas are not copyrightable.) The only features of his work that Erickson’s registered copyright protected, the judge said, were the musical flourishes he added to give the result a pleasing sound, and on the face of it the flourishes the two composers added were different. Erickson disagrees with Judge Simon’s opinion on that point. Readers can make up their own mind.

In any event, the world now has access to two musical renderings of pi.

I’ve always been intrigued by artists who try to push the boundaries of their form, as indicated by an aside I made during my talk at Wonderfest 2010. As a mathematician, I’m particularly fascinated by attempts to interpret mathematics in different artistic media, novels, movies, TV shows, painting, sculpture, and of course music and dance.

Which brings me to the “Devlin’s Angle” column I posted back in January, when I mentioned the project I worked on with the choral group Zambra, where we set out to interpret some of my favorite mathematical equations in song. I ended my article by promising to say more about that project, but then other topics came up that seemed more pressing, and that promise was not fulfilled.

The equations/formulas we chose were Euler’s equation, Pythagoras’ equation, Area of a circle formula, Einstein’s energy equation, Leibniz’s series for pi, Newton’s second law of motion, and Euler’s polyhedron formula. You can find a description of the entire project on my website.

The stage performances of our show also involved dance, provided by math professor and dancer Karl Schaffer and members of his dance troupe MoveSpeakSpin, but unfortunately we did not have the funding for a video recording.

There is clearly considerable potential in the use of music and dance (and other artistic media) in school mathematics education. Someone else I am aware of, in addition to Schaffer, who is doing great things in this area is Malke Rosenberg with MathInYourFeet.

There is also a new TV series that includes some mathematics, Touch, on Fox TV. I commented on the portrayal of mathematics in that new series in a recent commentary in The Huffington Post. As I said there, I have positive and negative feelings about that particular portrayal, but surely anything that connects mathematics to an aspect of everyday life, particularly recreational activities and popular culture, provides an excellent opportunity for the mathematics educator faced with interesting students in a crucial subject whose many important applications are, to a large extent, hidden from public view.